ElectraX VST Crack v3.0.2 + License Key (Latest) For Mac & Win

• GUI with 16 different sizes (with and without editor/effects).
• Native support for WQHD, 4K, 5K, and 8K UHD displays.
• The GUI can be scaled from 50% to 300% by clicking in the lower right corner.
• Smoother animations and more responsive controls.
  Support for hardware acceleration.
• Super sharp graphics with high DPI and retina display support.
• The SYNTH button flashes when a layer plays a note. This makes it easier to work with multiple arpeggiators.
• Automatic detection of ideal GUI size.
• A check mark indicates the last loaded custom waveform.
• Online help with tutorial videos.

• 118 additional patches that use new features. Synth ships now with patch 1439.
• 8Bit noise oscillator can create retro lo-fi fx sounds. The sound can be changed with PW and key.
• Major and minor chords are available as additional key modes for the arpeggiator.
• The new ‘Transient Shaper’ adds punch and presence to the vocals. This can be accessed in the ‘Sound Mode’ selector.
• The new ‘Transient + Bass’ mode adds presence and dynamic bass pressure to sounds. This can be accessed in the ‘Sound Mode’ selector.
• New analog pulse oscillator types: pulse 1/2, pulse 2/5, pulse 1/3, pulse 1/4, pulse 1/5, pulse 1/6, pulse 1/8.
• New analog oscillator types with inverted phase: P invert, plus invert.
• New analog oscillator types: Impulse, Sine Flip, Comb 2, Comb 3.
• New reverb types: Cold, Theater, and Hangar.
• 40 new waveforms for custom wave/wavetable oscillators.
  New bipolar modulation source: “Step LFO/Envelope +-“.
• Monophonic LFOs that only retrigger with the first key pressed (set LFO mode to ‘mono’).
• Monophonic STEP LFOs (set Trigger Mode to ‘Mono Loop’).

• The audio engine now uses 64-bit precision instead of 32-bit, resulting in higher sound quality.
• CPU usage is reduced.
• The maximum delay time has been extended.
• Improved sound of automatic micro-tuning: A wide range of chords detected.
• Replaced ‘Reverb Hall’ with a better-sounding algorithm.
• Slightly improved sound of Reverb types ‘Cathedral’, ‘Room’, ‘Infinity’, ‘Big’, ‘Glass’, and ‘Plate’.
• The arpeggiator’s stack mode has been extended and can handle polyphonic input and duplicate notes.
• Better sound of Unison.
  Unused matrix slots are automatically cleared after saving the patch.

• The STEP LFO has been completely rewritten.
• It can be used as a multi-step envelope by changing the trigger mode to the envelope.
• The modulation capabilities of the synth have been greatly expanded.
• Editing and sound design are more intuitive.
• A real-time display visualizes the current shape.
• The current play position is displayed.
• Unused parts of the LFO are faded out.
• STEP LFO shape and values are no longer updated only after NoteOn.
• It offers high-accuracy timing.
• It is mess-able and looks very smooth.

• Linear to Left: Easily interpolates on the leftmost step.
• Cubic to Left: Interpolates with a cubic spline.
• Analog Slow: Analog envelope smoothing with low cutoff.
• Analog Medium: Analog envelope smoothing with a medium cutoff.
• Analog Sharp: Analog envelope smoothing with high cutoff.
• Analog Reverse: Inverted analog envelope.
• Look down: Step down the ramp
• Looked up: The step moves upwards.
• Triangle: Step moves up and down.
• Triangle %25: Sloped triangle.
• Triangle 75 %: slope triangle.
• Pulse % 0: The second part of the phase is 0.
• Pulse 50%: The first part of the phase is 0.
• Decay 1: Slow analog decay envelope.
• Decay 2 : Fast analog decay envelope.
• Attack 1: Slow analog attack envelope.
• Attack 2: Fast analog attack envelope.
• Sine / 2: Sine with half the frequency.
• Cosine / 2: Cosing with half the frequency
• Sine + -: Bipolar Sine.
• FM Sine: Useful for FM-modulated sine immersion.
• FM Square: FM modulated square wave.
• FM Saw Down: Useful for FM-modulated saw sinkers.
• FM Saw up: FM modulated saw is useful for divers.
• Noise: Noisy step.
• Diffusion: Spreading noise between steps.

• The GUI code was completely rewritten.
• More beautiful graphics for LCD displays.
• Animations of filter, LFO, waveform, and envelope display are very fast and smooth.
  More contrast for knob handles.
• Reworked many graphics.
• The LFO waveform display is large.
• The keyboard is hidden in the patch browser when the editor or effects are hidden.
• Fixed many coordinates in the interface.
• Fine-tuned some colors.
• More immediate control of filter cutoffs and parameters.
• More tooltips with better detail.
• Layers are initialized with smooth gate shapes.
• The patch browser can now also be opened by clicking on ‘BROWSER’ or the top left display.
• A finger is displayed when hovering over ‘BROWSER’ to indicate that the control is clickable.
• The interface gets blue shading when drag and drop modulation is used.
• When a patch uses the STEP Lfo it appears automatically after loading.
• The user is warned if he chooses a GUI size that is too large for the screen.

• Better sound quality.
• More accurate pitch calculation.
• The high precision timing of LFOs.
• Amplified white noise.
• The rising sound of pink noise.
• Analog oscillators are more in-tune and have more beautiful noise.
• Step LFO shape and values are no longer updated only on the note.
• Step LFO is able to interpolate and sounds smooth.

Other Enhancements:

• Increased DAW compatibility and stability.
• Improving performance.
• Better detection of installation path on PC to avoid duplicate installations.
• Now all links are HTTPS.
• A huge number of small increases.

• ‘Fat Tone Clean’ and ‘Fat Tune Soft’ greatly improve the melody.
• A checkmark indicates the currently selected editor size.
• The micro-tuning range is now limited and can no longer be played ‘out of tune’.
• The synth ‘sits better in the mix’ with other instruments.
• Increased durability and strength.
• Improved GUI performance with drag and drop.
• A blue shadow appearing with drag and drop confused some users. It was removed.
• Range clipping makes the envelope more stable when extreme modulation settings are used.
• Improved sound of ‘analog heavy’ micro-tuning mode. Detuning doesn’t get too much anymore.
• Improved sound of analog light micro-tuning mode. The third sounds more pleasant.
• Improved sound of the ‘Fat Tune Soft’ micro-tuning mode. The third sounds more pleasant.
• Broken patches with incorrect dropdown menu values are automatically fixed.
• Enhanced parameter smoothing.

• The mouse wheel with knobs on Mac is more responsive.
• Buggy DAWs can no longer crash Elektra by sending garbage midi note values.
• Several small additions.
• Hypersaw mods with ‘9x’ oscillators can sometimes produce a phasing sound on Mac.
• The microtuning mode ‘Fat 1’ was not downward compatible and could sound very detuned.
• When the zoom was set to 100% the cursor only changed to modulation depth editing.
• The gui-size-changer on the bottom right didn’t work much after the patch browser was opened.
• Fixed some really rare crashes.
• Patch ‘Electra 3 Hypersa’ had an error in its sound design.
• Fixed a rare crash with IQM that appeared on some DAWSs on Intel Macs after loading while playing chords.